USA > Massachusetts > Middlesex County > West Newton > Our church, its history, its buildings, its spirit. The Second Church in Newton, West Newton, 1926 > Part 3
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THE BAPTISMAL FONT, A GIFT OF THE CHURCH SCHOOL, IN MEMORY OF MISS S. MARIA CLARKE
THE BUILDING
they passed on their journeys; others believe that the shell was the symbol of the traveller when he wan- dered amid inland people who had never seen the sea and wondered at this shell which had been picked up by him on his distant journeyings. Next in order is St. Peter, bearing the keys of Death and Hell, deliv- ered to him by the Master. On the opposite side in the same way St. Simon bears the saw with which he was sawn asunder, and St. Thomas the lance which pierced him. St. Jude, besides his book, bears a knotted club, and St. Bartholomew a knife. St. Matthias, who occupies Judas's place, has a battle axe. And last, nearest the altar, is the beloved St. John, holding a chalice from which a serpent is escaping. The priest of Diana is said to have given him poisoned wine to drink, but St. John made the sign of the cross above the chalice and the poison escaped in the shape of a serpent.
Above the altar there shines a light upon the cross as though coming down mysteriously from heaven, and so the invisible Christ upon the altar stands amid his earthly friends.
The pulpit in the church is distinct from the lectern because the lectern contains the Bible, the history of God's revelation to the world, while in the pulpit one has man's interpretation. Above the pulpit is the symbol of the Ten Commandments of God, the moral center of the Old Testament. The carvings on the pulpit represent the vine and its branches, symbolic of Christ's relation to believers, and on each panel there is an angel portraying one of the true graces of the real preacher: the Angel of Justice with the scales (Job 31: 6); the Angel of True Eloquence with the burning coals of fire from God's altar (Isaiah 61:6); the Angel of Sacred Learning with the Book (Psalm I: 2); the Children's Angel with little faces clustered around his robes (Matthew 18: 10).
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A VIEW OF THE REAR OF THE NAVE, BALCONY, AND THE WEST WINDOW
THE BUILDING
The newel posts, as has been noted in the section describing the memorial gifts, represent Thomas Hooker, the most noted preacher of early Congrega- tionalism, who in 1633 was ordained pastor of the church at Newtown, Massachusetts, and John Eliot, who in the same city of Newton was the great mis- sionary preacher to the Indians.
The lectern has four figures carved upon it, repre- senting the four Evangelists. Beneath one of the fig- ures is a man. This is St. Matthew, who, in his gospel, dwells especially upon the human Jesus and begins the book with the pedigree of His human ancestors. Be- neath another figure is the lion, because St. Mark opens his gospel with the voice of one crying in the wilderness. Beneath the third is the ox, because St. Luke opens his gospel with the picture of the shep- herds and the manger, and beneath the fourth figure is the eagle, because St. John begins with a flight far off into the heaven of heavens, soaring like the eagle, with the words, "In the beginning was the word."
At the door of a church there should always stand a font. The baby should grow up inside the church, not outside of it and so in infancy the child is brought to the door of the church and received into the arms of the Master. Around the font are figures of a child which give us the whole of a child's day - morning, when awakened by the song of the bird, daily bread with its little porringer at breakfast, then play, and work, and prayer, and finally good-night. Beneath the figures of the child are all the symbols one could find in the Bible of the mothering love of God.
Beside the font stands the font registry in which are preserved the names of the newly born, guarded by two kneeling angels, God's love and care.
We cross the front of the church again, looking as we pass at the altar made of Caen stone. At one side of it is the figure of St. George of England who has the
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II
VII
VIII
IV
VX
THE PULPIT, ORGAN, AND THE OAK TABLET SYMBOLIZING THE COMMANDMENTS
THE BUILDING
sword in his hand with which he has just slain the great dragon of sin. He represents all the riches which England has given to our common faith. On the other side stands St. Martin of Tours, the patron saint of France. In his left hand is the garment and in his right hand the sword with which he is dividing his cloak to give half to a poor widow perishing in the cold. The two saints stand for the valor and charity of our faith. Around the altar one finds the carving of the fish, which was an early symbol of Christianity because the Greek word for fish consisted of the first letters in the words, "Jesus Christ, Savior of Man- kind", and the ark, symbol of the Christian way to salvation. We in our Pilgrim church may also see there the Mayflower crossing the broad Atlantic for the New World. As we go across the front of the church we come to the Fuller Chapel, designed for smaller services, weddings, funerals, and corporate communion celebrations. It is a part of the church, yet a little service held in it is not lost as it would be were it held in the larger building.
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THE WINDOW, COMMUNION TABLE, AND CANDELABRA IN THE FULLER CHAPEL
MEMORIAL AND PRESENTATION GIFTS
MEMORIAL AND PRESENTA- TION GIFTS
T HE pulpit, carved by Mr. J. Kirchmayer of Oberammergau and Cambridge, is in memory of the Rev. Henry J. Patrick, D.D., minister of the church from 1860 to 1893, presented by his family and a number of his former parishioners. In addition to the symbolism of the vine, the four great guardian angels of true preaching occupy the four panels. The newel posts represent Thomas Hooker, the most noted preacher of early Congregationalism, who in 1633 was ordained pastor of the church at Newton, Massachusetts, and John Eliot, who, in the same city of Newtown, was the great missionary preacher to the Indians.
The lectern and the chancel furniture (also the work of Mr. Kirchmayer) are in memory of the Rev. Theodore P. Prudden, D.D., minister of the church from 1894 to 1907. Surrounding the lectern are the figures of the four evangelists, Matthew, Mark, Luke, and John. Upon the choir and deacons' stalls are the figures of the twelve apostles. The lectern and the Bible are the gift of Dr. Prudden's family; the chancel furniture of friends in the parish.
The communion table in memory of Captain S. Edward Howard, presented by his family and a friend, is constructed of Caen stone. The motive of the vine and the branches runs around the table. At one side stands St. George, the representative of the Christian soldier, and at the other St. Martin of Tours, the type of Christian chivalry, in the act of dividing his cloak with his sword that he may share
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A DETAIL FROM THE WINDOW OF THE FULLER CHAPEL
MEMORIAL AND PRESENTATION GIFTS
it with the beggar. At the side the words "He always faced the dawn" remind us of Captain Howard's personality.
The altar Bibles are in memory of Mr. Benjamin S. Palmer.
The chancel organ is the gift of the late Mr. Frank Ashley Day, in memory of his parents, Mr. and Mrs. Robert Lansing Day, who attended this church in 1860-1862. The echo organ at the rear of the church is the gift of Mr. and Mrs. Robert H. Gross. The chapel organ is the gift of Mr. and Mrs. Henry B. Day. The organ chimes, added in 1925, are in mem- ory of William Alvin Barker, organist in 1872, the gift of Orrin F. and George J. Barker. All these organs are the work of Casavant Frères of St. Hyacinth, Canada.
The east window "in affectionate honor of all Mothers" is the gift of many friends and was dedi- cated on May 9, 1926. It is the work of Reynolds, Francis, and Rohnstock of Boston.
The window in the chapel is in memory of Mrs. J. Franklin Fuller, presented by her husband; and the communion table and candelabra in the same chapel are the gifts of Mr. and Mrs. Clinton L. Eddy. At the extreme left of the window is the Angel of the Annunciation bringing the news of the coming of the Lord to the Virgin. At the right is the Angel of Con- solation comforting the Mater Dolorosa with thoughts of the Resurrection. The window in the north tran- sept is the gift of Mr. Charles G. Phillips, in mem- ory of his parents, Mr. and Mrs. Charles S. Phillips. The window, the motive of which is the beatitude, "Blessed are they that mourn for they shall be com- forted," represents a saint, surrounded by a multitude of the angels of the spiritual world, comforting the widow and children in their affliction. Both these windows and the temporary west window are the work of Mr. Henry Wynd Young of New York. The
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THE BAPTISMAL FONT AND THE FONT REGISTRY IN THE SOUTH TRANSEPT
MEMORIAL AND PRESENTATION GIFTS
temporary aisle windows are the work of Mr. Charles J. Connick of Boston.
The baptismal font, in memory of Miss S. Maria Clarke who was head of the Primary Department of the church school for nearly fifty years, was dedi- cated June 13, 1920, the gift of the children of the parish. The font registry for preserving the names of the baptized children was added November 22, 1925. The font was the work of Miss B. Lillian Link; the registry was made by W. F. Ross and Co.
The furniture of the minister's room is the gift of Mr. and Mrs. William C. Safford.
The clocks in the church are all the gifts of Mr. Herbert E. Fales.
The flags in the church are the gift of Mr. Herbert M. Cole (except the one in the chapel which was pre- sented in memory of Roger N. Griffin, 1894-1910); and the stone gargoyles at the doors of the church are the gift of Mr. and Mrs. Charles E. Gibson. In addi- tion to these, many of the members of our parish have given their personal time, skill, and service to make the building and the grounds what they are. Every- one has had a generous part in this church which has in very truth been built by all the people.
The architects of the church were Messrs. Allen and Collens of Boston, and the builders were Norcross Bros. of Worcester.
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THE SECOND CHURCH BOOK
The idea of our Mothers' Window is an evolution from the older custom which honored by specific tribute the memory of a single person - a memorial that only individual or family wealth could grant. Our chancel window is a tribute to all mothers -mothers who are gone, mothers who are with us still, and mothers who are yet to be. We bow in reverence before this general, all-embracing idea of Mother- hood; but in the very act, the faces that are dearest come to view and individual- ize for each of us the spirit of our devotion.
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THE MOTHERS' WINDOW
THE MOTHERS' WINDOW
As the morning star in the midst of a cloud,
As the moon at the full;
As the sun shining upon the temple of the Most High,
As the rainbow giving light in the clouds of glory;
As the flower of roses in the early morn,
As lilies at the waterspring,
As the shoot of the frankincense tree in the time of summer;
As fire and incense in the censer,
As a vessel of beaten gold adorned with all manner of pre- cious stones,
As a fair olive tree budding forth new fruits,
As a cypress growing high among the clouds,
When she put on the robe of honor,
She was clothed with the perfection of glory.
Ecclesiasticus 50 : 6-1I
O UR window is dedicated "To the Glory of God and in affectionate honor of all Mothers." It is mother love which has warmed the cold heart of nature. When the age of the great brutal reptiles was over and their successors in the world began to nurse and fondle and love their young, then began all the tenderness and poetry and color of life. This window is in affectionate honor of all mothers - the hen that gathers her chickens under her wing, the mare that licks her ungainly long-legged foal with whinnying, anxious solicitude, the tigress that fights to the death to protect the little balls of fur whose frightened eyes glow green from the depths of the dark cave within, the mother whom the world calls bad, who yet had in her warped nature an unsuspected heaven of tender- ness for her little one, the mother who was saint and friend and guardian angel for her wayward children, the mothers who throng the steeps of light in the better country and look down upon us now unseen, the mothers we disobey and argue with and love today,
[69]
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THE SECOND CHURCH BOOK
the mothers yet unborn whose faces will be lit by the glory of this window as the old, old story of human love blossoms anew in their young lives - to all mothers. This window is like the jewelled robe our ancestors used to give for the image of the Virgin in their churches. The windows at Chartres are lovely today because the soft wings of the years have been brushing them now for so long that a film has eaten its way into the glass, softening and making the colors less glaring and more mysterious every year. So may it be with this new window! Its design was thought out with much care. Everything in it speaks of Mother- hood.
In the early days, many of those who went to church could not read, so the story of the gospel was told to their eyes by painting and carving and stained glass filled with the feeling of the good news. So is it with this window. Everything in it means something.
The body of a child comes through its long line of ancestors with impulses and tendencies good and evil mixed, but in every child there is that mysterious unique something which comes from God. In the quatrefoil at the very centre of the window at the top, you see the dove of the Holy Spirit descending to earth from Heaven with the soul to be born on earth. Surrounding it are the angels of heaven as a guard of honor, angels whose heads are flames of fire and who bear their names on shields before them. They are the angels of the Madonna and bear the flower for purity, the fleur-de-lis associated for centuries with the motto "Ich dien " - "I serve"; the crown for honor and the star for mystery.
But there is the other, the earthly origin of the child, and in the central medallion of the left vertical row you see Eve, the mother of all living, with her foot upon the head of the serpent. The first prophecy of Christ in the Old Testament is that verse in Genesis
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THE MOTHERS' WINDOW
which tells that Eve through her great descendant, Jesus Christ, shall bruise the head of the great serpent of sin in the world. The child in part is the very Holy Spirit of God from heaven and in part this human nature of ours which is ever struggling against the sinful impulses of the flesh, but with certainty of vic- tory, for her foot is upon its head.
The large central medallion is the Virgin with the Holy Child in her arms against a background of glory. The whole design refers to her as the supreme example of a mother's expectant joy, tragedy, and triumph.
On the immediate left-hand side of the large central medallion you see the shepherds adoring the Babe. Mary sits proudly with the child in her lap, while the star shines above her head. Peeping out from under the folds of the garment of one of the shepherds is the head of a lamb which the shepherd has rescued from the cold and danger of the night and is keeping safe and warm.
On the right of the central medallion the wise men, kings of the Orient, present their gifts and are just kneeling down before the Mother and her Babe. Above the shepherds is the moon, queen of the even- ing skies; above the wise men in the circular medal- lion, Christ's lovely picture of mother love - the hen with her brood of chickens. There are many animals in the window, doves, hen and chickens, lambs, a donkey, and even the naughty snake.
Just below the large central medallion you find the scene of the Nativity - Mary and Joseph and the child.
Now when Mary expected to be a mother Heaven and Earth both united in loving her and congratulat- ing her.
In the center horizontal row, the second medallion from the left, is the Annunciation - an angel from heaven, pointing upward, with a scroll upon which are
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THE SECOND CHURCH BOOK
the words, "Hail, Mary, full of Grace." Mary's Bible from which she found the words of her song is in her hand. The second medallion from the right in the same horizontal row shows the congratulations from earth in the visit of Elisabeth, who has her arm around Mary's neck. There are two scenes from the child- hood of Jesus with His mother. In the lowest hori- zontal row the medallion to the extreme left shows the Holy Family on their way to Jerusalem for the feast, Mary on the ass, Joseph with his bundle of baggage on the end of a staff over his shoulders, and Jesus, hand in hand with his mother, trudging on beside her. It is His first trip into the wide, wide world, away from the home seclusion seen in the second medallion from the left in the lower row where Jesus in the workshop of Nazareth is holding a plank for Joseph to saw, while Mary with her distaff sits by spinning and looks with love upon her two men. How Jesus lived out his mother's heart and acted in her spirit of tenderness is shown in three medallions. In the lower row, the second from the right, the picture shows His pity for the widow of Nain, as he raises her son to life again. The extreme right medallion in the same row shows Him blessing little children while the mother of the children beams behind. One child is on His knee while the other little one has plucked a flower and is bring- ing it to the Savior. Just above this medallion the Good Shepherd is seen with the lost lamb now found and safely on his shoulders, emblems of the mother love of Jesus for the lost and wayward. A mother often seems to love the most troublesome child.
The central panel in the lower row shows the scene at the cross where Jesus bids an earthly farewell to His distracted mother, commending her to the care of His beloved disciple: "Son, thy mother; Mother, thy son."
The cross is green, for its wood is living forever and
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THE MOTHERS' WINDOW
growing for the life of the nations; and John bears an instrument of music in his hand, for his gospel has sung the glory of the cross to all people.
The last two medallions - those in the extreme left and right of the top row - show two scenes in heaven. On the left Mary is arriving in heaven and Jesus is crowning her as she bends her head. On the right sits the Virgin, Queen of Heaven, enthroned with the Everlasting Child in her arms, while on her shoulder gleams the star -her suffering past, she shall glow in heaven like the stars, forever and ever.
Every side of a mother's life is here - the bearing of children, household work, anxious days, pride in her son's honors, joy in her son's success and char- acter, neighbors' calls, heavenly visitations of joy, ambition for her son, tender friendship with him, tragedy unspeakable in his loss - all are here - and twice the veil is lifted and the Unseen is sighted but for an instant in the rapturous greeting upon that farther shore and the eternal honor which is hers unto the world's end. Here for all time are set to gleam the colors of the precious stones, to touch all hearts in tender gratitude for the love that makes our home of life so pleasant and is a foretaste of joys beyond, that shall exceed all that we can desire.
The long list of names, remembered by the contri- butions to the fund for the memorial window, reveals the keen and loving interest which our members have taken in this significant tribute to motherhood.
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THE SECOND CHURCH BOOK
OUR MOTHERS' NAMES
CORNELIA A. ABBOTT
SARAH J. ABBOTT
LOUISE SHELDON ADAMS
MARY MARCELLA ADAMS ALICE RICHARDS ALLEN EVELYN FARGO ALLEN ANNIE ALLINGHAM MARY FRANCES ATHERTON
HELEN PRATT BACON HELEN MOORE BAILEY
LAURETTE JOB BARBER
CAROLINE JENISON BARKER
EMMA FRANCES BARRETT EVA LAIN BARTHOLOMEW MIRANDA D. BARTHOLOMEW EMILY BARTINGTON
ADDIE ELIZA BOSWORTH DIANNA DAY BOSWORTH MARGARET ELIZABETH BOSWORTH
MARY A. FORSYTHE BOWEN
NELLIE CRANDELL BOWEN
ELIZABETH NOYES BRAMAN
WALLY V. BRANDT
CARRIE M. BRIGHAM
MARY BRISON
DOROTHY ELLEN BRODRICK
MAUD H. BRODRICK
MAUD HOXIE BROWN
SARAH FRANCES BUNKER
ALICE BURNELL MARGRETTA GOOD BURNELL
HARRIET C. BURNETT
ANNIE MCKISSOCK BURR
EMMA JEFFERSON BURTT
RUBY CLAIRE BUSWELL
MARY FRANCES BATES
ELLEN L. BATSON
ETHEL G. BATSON
BERTHA CAPODANNO
MARGARET A. CARLEY
ELIZABETH W. CARLYLE
ALICE GUY BEAN MARY ANN BEAN GERTRUDE BECKER
M. JOSETTE BALLARD CARPENTER
ELIZABETH ROBERTS BELL
MARY J. CARTER
LILLIAN BOWEN CATE
LOIS R. CATE
MAUDE VIRGINIA CHALMERS
MARY PAINE CHAMBERLAIN
NELLIE MCLEOD BLAIR
EDNA EMERSON CHASE
LINA A. CHASE
MAUDE WILLISTON CHASE
ANNIE M. CHESLEY
EDITH H. CHURCH
ALICE M. CARPENTER CLARK
SARAH BOND
ELIZABETH A. CAMPBELL HELEN OTT CAMPBELL
JANE VICTORIA BARTINGTON
EULLA E. BARTON
FLORENCE RUWE BARTON HELEN P. BATES
THEODOSIA I. BATSTONE
MARY H. G. BELL
BESSIE W. BENSON
IDA C. BENSON
MARY ANNA BENSON
CARRIE GOULD BLAKE EDNA S. BLUNT
LUCY CATHERINE BOLSTER
SARAH JANE BOLSTER
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OUR MOTHERS' NAMES
ELIZABETH WHEELER CLARK HARRIET ABBOTT CLARK LYDIA BURT CLARK MARY OLNEY CLARK MARY ELLEN WALLACE CLOUGH MARY COE DOROTHY ELIZABETH COLE
MARIA HART COLE
VENILA SPAULDING COLSON HELEN FRANCES COOK MARY ELLA BOWES COOK
MARY HALL FLANDERS COOK SARAH ANN DILLINGHAM COOK JANE BELL COOPER MARTHA DEMAREE COPELAND OLIVE S. B. CRAM
MARY ELIZABETH CRANDELL AUGUSTA REBECCA CROSBY BESSIE V. A. CROSBY GRACE GREENE CROSBY JANE CRUMP JANE CUNNINGHAM MARY A. CURTIS ELIZA A. CUSHMAN EMILY FRENCH CUTLER
HOPIE S. DALE JENNIE MURIEL DALES LULU BERTHA DALES MARY PORTER DANIELL ELLEN M. DANIELS ELFREDA BORDEN DARLING MILLICENT M. DARRACH BETTY MILLS DAVISON MARY GRAVES DAVISON MILDRED JONES DAVISON JULIA STEVENS DAY KATHARINE MUNROE DAY MARY ANN GODDARD DAY GRACE P. DELANO MARY PERKINS DENISON MURDINA A. DEWIRE ELIZA DEWOLF
LAVINA WENTWORTH DIX MARY A. DORT ALICE WHITNEY DOWNS AMY W. DOWNS FANNY REED DOWSE
BONNEY L. DUNBAR HARRIET WALTON DUNBAR
ANN ELIZA EAGER RUTH HELEN MACURDA EAGER
ABBY ALLEN EATON
BERTHA CLARK EDDY
GEORGIANNA WINSLOW EDDY
LOUISE THORNDIKE EDDY
EVELYN ELDRIDGE HELEN ELDRIDGE ETHEL JOSEPHINE ELLIOTT
MARY J. ELLIOTT
NATALIE M. ELWELL
MARTHA T. BARBER EMERSON
OLIVE EMERSON HELEN AUGUSTA ESTES
NETTIE L. FALES
JENNIE A. FARNHAM FLORA BAILEY FARNUM
NICOLENA M. FENNEBERG LOUISA E. FERREICA EMMA BROWN HART FESSENDEN
SUSAN LANE FESSENDEN
GRACE E. MARSH FISCHER NANCY TAPPAN FISHER ALMA FURBUSH FLAHERTY ABBIE O. FLEMING
ANN VICTORIA FOLSOM FLORA FORBS JANE E. FRANCIS VICTORIA FRANCIS GERTRUDE KISTLER FREDERICKS JULIA P. FRENCH BETHIA T. L. FROST SARAH E. FROST
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THE SECOND CHURCH BOOK
GLADYS CHANDLER FULLER MARY EWING FULLER RUTH BRODHEAD FULLER MABEL FULTON MARIA L. FURBISH
GERTRUDE SANDERSON FURBUSH JENNIE RICHARDS FURBUSH
HELEN WOODBRIDGE GANSE
ELIZA ALICE GARDNER EDITH S. GARRISON
SARAH DORNAN GAW
NANCIE KILLMAN GERRITY LIBERATA GIANFERANTE MARY GRIDLEY GIBBS SUSAN ELIZABETH GIBBS ELIZABETH STEWART GIBSON HELEN KNOWLTON GIBSON MARIAN B. GIBSON EMMA COBB GILE
CASSIE MAY GILLARD
GRACE ATWOOD GLAZIER
HELEN SOPHIA GLAZIER
AGNES PRESCOTT HALE GLIDDEN CARRIE J. GLOVER
HARRIET HARPER GODDARD
MARTHA BREWER GODDARD
JENNIE A. GODFREY
ELIZABETH G. GOOD
EMMA HARRIET GORDON
GLADYS GOUGH JESSIE J. GRANT
EMMA BRAITHWAITE GRAVES
ELLA WILSON GREENE
MARY A. E. GREENLEAF
SUSAN CROWELL GREGG
CYNTHIA HAVEN GROSS MABEL B. GROSS MARY B. P. GROSS
EMILIE GROSSMANN
JENNIE L. GRUSH
CANDORA SEELEY GUERNSEY GRACE RAE GUIRY
SARAH SHERMAN HAIGHT IDA FLORINA ACKERMAN HALL FRANCES HAMANT
A. ELIZABETH HAMMOND BERTHA HUNT HAMMOND MARY HANLON MATILDA KNOWLTON HARDY
ELIZABETH PRICE HARRIS
ALMIRA MARSHALL HART
LOUISE SANDERSON HART AMELIA M. HARTEL
WEALTHY A. HARVEY
JANE ELIZABETH HASKELL
ELIZABETH PARSONS HATCH
HELEN N. HATCH
HELEN PRESTON HAUGHWOUT
AGNES HAYDEN ELLA OAT HINMAN
BELLE DIXON HODGMAN
ANNIE HOPE
LOUISE TULLOCK HOPKINS
MATILDA TAYLOR HOPKINSON
MARY JANE HOUGHTON
HELEN MARSH HOWARD
EMMA JUDD HOYT
MABEL AVIS HOYT
MARIA FREEMAN HULL
ELIZA GERRY HUNT
MARY SUSAN HUNTER
ALICE ESTES HUNTSMAN
ZERVIAH FITZ RANDOLPH HUNTSMAN
JANE HOWES HUTCHINSON
LUCY A. HUTCHINSON
HARRIET LESTER ISAAC
FREDA M. JAMES
FRIEDA PHILLIPS JAMES
EVA RACHEL JENKINS
FLORENCE CARY JENKINS
AGNES L. JEPSEN
ELSE EBSEN JEPSEN
SELMA E. JOHNSON
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OUR MOTHERS NAMES
EMILY JONES HELEN DINGLEY JONES
LISETTE KATTWINKEL
ROSA E. KATTWINKEL
ABBY A. KEENE CAROLINE S. KELLAR CLARA MAUD KELLAR
MARY ANN KELLAR
FANNIE E. KEMBALL
SARAH ELIZABETH KENT HORTENSE KING EMILY HAM KINGMAN ELLEN THOMPSON KINGSBURY HENRIETTA KISTLER MARY ELIZABETH KNEELAND MARY BENNITT KNIBLOE MATILDA HITCHCOCK KNOWLTON
ELIZABETH W. LADD FANNIE A. LAFORGE JANE LAMOND MARY DEWOLF LAMOND SARAH K. LARCOM
EDNA A. LARNED MARY T. LESTER GRACE R. LIBBEY
REBECCA M. LINNELL ELNORA WAITT LOVEJOY GERTRUDE TROWBRIDGE LOVELL THERESA A. LYMAN
MARY A. MACDONALD HARRIETTE FOLGER MAC- GREGOR MARGARET POWER MACGUIRE GRACE CLARK MACOMBER MARION MEEK LOGAN MANN ELLA E. MASON
MARY ELIZABETH MASON FLORA BELLE McCAULDER BERTHA B. McGAREY
MARTHA JANE McGAREY FLORENCE MCCUTCHEON McKEE OLIVE A. McLENNAN
LUCY LESTER MILNER
VITTORIA D. MINGACE
MATTIE JOSEPHINE MORGAN LUCY JENNINGS MORSE ABBY S. MORTON
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