Leslie's history of the greater New York, Volume III, Pt. 2, Part 37

Author: Van Pelt, Daniel, 1853-1900. 4n
Publication date: 1898
Publisher: New York, U.S.A. : Arkell Pub. Co.
Number of Pages: 749


USA > New York > New York City > Leslie's history of the greater New York, Volume III, Pt. 2 > Part 37


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MAIN STAIRWAY MUTUAL LIFE INSURANCE BUILD. ING, PHILADELPHIA, PA. (TOOK FIRST PRIZE, CENTENNIAL, 1876. ) HENRY FERNBACH, ARCHITECT.


ship the Greek temple model was followed. Meanwhile, domestic architecture has exhibited the three styles. Until within a very few years the Americans borrowed their architectural models from Europe: but for more than a generation they have cut loose from this dependence, and have run into all sorts of extravagances in buildings


POWER STATION AND OFFICE BUILDING. EDISON ELECTRIC ILLUMINATING COMPANY, 53-57 DUANE ST. BUCHMAN & DEISLER, ARCHITECTS.


716


HISTORY OF THE GREATER NEW YORK.


of every kind, though the Gothic style prevails in the construction of church edifices.


Blind imitation often made a newly adopted style assume the char- acted of a " craze." Everybody imitated everybody. For a long time, early in this century, the Italian or villa style for dwellings was a favorite. It was modest and neat in appearance and comfortable in arrangements. It was succeeded by the flashy and pretentious so-called " Gothic " houses, with their gables, pinnacles, and oriel windows.


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HOTEL SAVOY


RALPH S. TOWNSEND. Architect.


The whole country was soon disfigured by dwellings that were


" All up and down and round and square; Things copied from the Lord knows where; Stuck on at random everywhere, Indeed, a house to make one stare -- All corners and all gables."


Then came the French or Mansard-roof period. We have happily nearly passed through that. Our domestic architects have arrived at a degree of perfection in planning and executing dwellings noted for convenience and cheerfulness nowhere surpassed. Much of this cheer-


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Proppen era


MUTUAL RESERVE BUILDING. WML. H. HUME & SON, ARCHITECTS.


718


HISTORY OF THE GREATER NEW YORK.


fulness is due to the free use of glass, pure and stained; but as to any particular " order" of architecture it is seldom offered.


No city in the world surpasses New York in the extravagance of its


BAPTIST TEMPLE, BROOKLYN, N. Y. GEO. W. KRAMER, ARCHITECT.


domestic and commercial architecture, and in the decoration and fur- nishings, New York is unequalled. In structures of from eight to more than twenty stories, all canons of architecture appear at times to be de-


719


ENCYCLOPEDIA OF NEW YORK BIOGRAPHY.


fied, and the behests of different tastes alone are obeyed, sometimes un- trammeled by, and sometimes subordinate to, the most rigid rules of propriety. In extent of ornamentation, in spaciousness, in height, and in the wealth of furnishings, New York is unequalled. Structures from eight to twenty stories in height are numerous. Expenditure seems to be unlimited. Here may be seen a $10,000 chimney piece; there a bronze railing which cost $30,000; yonder a stained-glass window for which $60,000 were paid; while one dwelling has in it upholstery and decora. tive art products which cost $200,000. On the walls in some dwellings hang paintings worth $100,000, while on costly pedestals stand ex- quisite statuary and bronzes. Through all these buildings flows the crystal stream of the Croton water; and means for producing the most brilliant illuminations are everywhere at hand-electric lamps defying the cheerfulness of daylight.


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COLUMBIA UNIVERSITY BOAT-HOUSE, HUDSON RIVER AND 115TH STREET. HENRY C. PELTON, ARCHITECT.


The building art in New York City is one of its most extensive and important industries. In exteriors, wood gave way largely to brick nearly a century ago. The latter material was superseded in the con- struction of the finest dwellings, first by marble and then by brown free-stone, about fifty years ago. In 1836 the New York Mirror said : " New York is becoming transformed from a city of brick to a city of marble." Then came the brown stone, which remained a favorite until quite recently.


Now, the style of architecture in New York is as varied as possible, but there is more of what may be termed the Renaissance, with quite


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720


HISTORY OF THE GREATER NEW YORK.


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NOS. 1207-11 WASHINGTON AVENUE, NEAR 168TH STREET.


W. C. DICKERSON, ARCHITECT AND OWNER.


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POLHEMUS MEMORIAL CLINIC, HENRY AND AMITY STREETS, BROOKLYN. MARSHALL L. EMERY, ARCHITECT.


ST. JAMES BUILDING. BRUCE PRICE, ARCHITECT. W. H. SPELMAN & CO., PLUMBERS.


CHURCH OF THE GOOD SHEPHERD, MCDONOUGH ST., BROOKLYN. DEHLI & HOWARD, ARCHITECTS.


721


ENCYCLOPEDIA OF NEW YORK BIOGRAPHY.


a percentage of Gothic, and many combinations of all styles and schools. There are some strictly classical examples of the orders, but these are almost entirely found in religious or semi-religious edifices. As domestic and commercial edifices to-day require certain arrangements and details, a close following of any of the schools is not permitted.


The lumber used in building in New York is obtained principally from Maine, Canada, Michigan, the Southern States, and California. The bricks for general or rough use are mostly made along the Hudson River. The face or pressed bricks are made mostly at Perth Amboy and Trenton, N. J., Philadelphia, and Baltimore. The stone employed


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BARNARD COLLEGE, BROADWAY ( BOULEVARD). LAMB & RICH, ARCHITECTS.


on the face of buildings is of a varied character. The kind most fre- quently employed is a sand stone, brown in color. It is brought from Connecticut and New Jersey, the latter being of the finest texture and most durable. Limestone from Indiana, granite from Rhode Island and Maine, and marble from Vermont and Georgia, are also used.


The heating in private houses is mostly done by furnaces, and the hot air distributed by pipes built in the walls to the various rooms. In flats or apartment houses it is done mostly by means of steam-pipes and radiators, it being more economical and by many claimed to be more healthful .*


*" The sanitary conditions are very greatly improved over what existed comparatively a few years ago, partic- ularly in what may be called the cheaper class of dwell- ings -- tenements. City ordinances regulate the number .. of square feet ( percentage) that a building can occupy, and also require certain provisions for light and ventila- tion; and also the trapping of pipes, etc. The public in


general are seeing the advantage to themselves of these regulations, and are now demanding such arrangements in the buildings that will secure to them the healthiest abode."-Extract of a letter to the anthor from Mr. John J. Tucker, a leading builder, to whom the reader is indebted for the above statistics concerning the building industry in New York City.


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722


HISTORY OF THE GREATER NEW YORK.


It is difficult to estimate the number of establishments in the City of New York at this time engaged in the building business, for the reason


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that there are so few who undertake the entire construction of a build- ing. " I think it safe to say," writes Mr. John J. Tucker, " that at least


ST. JOSEPH'S SEMINARY, YONKERS, SCHICKEL & DITMARS, ARCHITECTS.


स्टार


723


ENCYCLOPEDIA OF NEW YORK BIOGRAPHY.


two hundred firms may be classed as general builders, and one thou- sand firms who are in part connected with the industry."


the one word


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CLARENCE TRUE, ARCHITECT.


THREE PRIVATE RESIDENCES, 76TH STREET AND RIVERSIDE DRIVE.


The subjoined table, kindly furnished by Mr. Tucker, shows the num- ber of new buildings, classification, and cost, erected in New York City during the six years from 1884 to 1889, inclusive:


NUMBER OF NEW BUILDINGS, CLASSIFICATION, AND COST, DURING THE YEARS 1884, 1885, 1886, 1887, 1888, 1889.


1884.


1885.


1886.


1887.


1888.


1889.


No. of Ap- plica- tions.


COST.


No of Ap plica- tions.


COST.


No. of Ap- plica- tions.


COST.


No. of Ap- plica- tions


COST.


No. of . Ap- plica- tions.


COST.


No of Ap- plica- tions.


COST.


Dwellings, est. cost over $50,000 .


4


$375,000


4


$328,000


5


$395,000


18


$1,175,000


2


$140,000


4


$485,000


Dwellings, est. cost bet. $20-50,000


135


3,350,500


150


3,875,100


163


3,816,500


258


6,333,000


87


2,221,500


238


6,161,300


Dwellings, est. cost less $20,000 ·


459


4,157,250


849


8,845,500 1,144


13,089,700


895


10,794,600


470


4,708,700


524


5,927,050


Flats, est. cost over $15,000 .


182


7,837,600


689


15,632,600


1,174


23,481,400


1,492


30,357,000


1,074


22,716,600


1,351


32,073,500


Tenements, est. cost less $15,000 .


1,010


144,992,100


581


7,529,100


4-17


5,115,900


346


4,426,700


195


2,429,100


192


2,299,900


Hotels and Boarding Houses .


5


161,600


3


159,450


5


523,900


2


14,000


2


26,000


16


2,193,000


Stores, est. cost over $30,000


32


1,856,150


20


1,312,600


28


2,065,000


25


1,596,500


25


1,744,000


52


4,669,000


Stores, est. cost bet. $15-30,000 .


45


1,020,562


17


916,600


18


392,000


59


1,073,900


35


697,000


15


953,700


Stores, est. cost less $15,000


80


391,650


77


278,900


89


280,858


56


237,100


86


440,948


53


236,070


Office Buildings. .


22


1,478,050


24


1,043,700


26


1,388,100


32


977,250


28


3,184,800


21


2,913,750


Mannfactories and Workshops


134


1,443,040


160


2,148,300


159


2,608,400


141


2,471,980


1 19


3,272,436


151


2,797,400


Schools .


353,000


1


90,000


8


705,000


13


572,500


8


. 740,000


10


768,000


Churches .


8


430,000


14


385,900


19


804,950


19


654,000


13


458,300


25


1,409,800


Public Buildings, Municipal. .


11


498,400


2


54,000


14.


1,009,500


35


2,489,500


18


1,105,802


5


139,435


Public Buildings, PI's of Amusem't


20)


1,060.800


13


622,000


12


593,000


9


677,000


10


736,000


31


3,698,227


Stables .


91


742,600


151


695,580


131


633,800


107


1,067,775


79


735,425


84


976,275


Frame Dwellings, 23d & 21th W'ds


410


1,175,730


430


1,212,170


557


1,353,480


569


1,633,010


534


1,461,655


501


1,420,925


Other Frames


215


206,176


150


174,513


93


152,255


269


518,725


266


170,879


904


382,540


Totals .


2.897 841,180,208 3,368 845,3744,013:4.092 $58,739,733 4,344: 867.069,570 3,081


$47,289,145 4,207; 869,504,872



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725


ENCYCLOPEDIA OF NEW YORK BIOGRAPHY.


PHILIP WOLFF


---


PUBLIC SCHOOL NO. 20, FORMERLY NO. 6, OF NORTHFIELD. . PHILIP WOLFF, ARCHITECT AND BUILDER.


Iron Architecture .- Among the innumerable uses of iron the architec- tural use is the latest. It has been used for centuries in minor offices in building, such as nails, bolts, serews, hinges, and fixtures of every kind, as well as railings and gratings; but in buildings, houses, stores,


726


HISTORY OF THE GREATER NEW YORK.


JAMES PARK, MADISON, N. J. WM. S. MANNING, LANDSCAPE ARCHITECT.


UNION M. E. CHURCH, 48TH ST., NEAR BROADWAY, N. Y. GEO. W. KRAMER, ARCHITECT.


727


ENCYCLOPEDIA OF NEW YORK BIOGRAPHY.


and ships its substitution for other materials is an innovation intro- duced with the last fifty or sixty years. Its capacity for profuse artistic ornamentation, its easy imitation of any " order" of architecture, its delicacy in bulk, its strength, its cheapness, and its resistance to fire, commend it.


Bridges were made of iron in England before houses and ships were constructed of it. A cast-iron bridge was thrown across the Severn River before 1788. Thomas Paine, then in England, superintended the


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PUBLIC SCHOOL NO. 14, FORMERLY NO. 2, OF MIDDLETOWN. PHILIP WOLFF, ARCHITECT AND BUILDER.


construction of an iron bridge (which he invented) over the Wear, at Sunderland. Boulton and Watt put cast-iron beams into a cotton mill at Manchester in 1801. It was not until 1827 that scientific investiga- tions determined the proper size and shape of cast-iron beams in rela- tion to strength. Wrought-iron beams were introduced several years later; and iron columns and beams began to be extensively used in English cotton factories about 1840 for making them fireproof.


Cast-iron buildings are a New York innovation. Their erection was


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728


. HISTORY OF THE GREATER NEW YORK.


first attempted in that city between 1840 and 1845, but English and American capitalists were slow to invest in such structures. Yet the rush of gold-seekers to California after 1848 soon established the in-


1


" SEA BREEZE " HOMES FOR CONVALESCENTS, WEST CONEY ISLAND. '(N. Y. ASSOCI- ATION FOR IMPROVING THE CONDITION OF THE POOR. )


CLINTON & RUSSELL, ARCHITECTS. J. DALL, BUILDER.


dustry, for it was found that the American cast-iron houses shipped thither could be put up in a day, while the wrought-iron houses from England lately introduced required a month. The remark of a traveler


INTERIOR UNION M. E. CHURCH. ' GEO. W. KRAMER, ARCHITECT.


that " Americans require that everything should be done in not over twenty minutes " was verified. Thirty-fold superiority in point of time


729


ENCYCLOPEDIA OF NEW YORK BIOGRAPHY.


was then appreciated in California. There was an immediate and re- munerative demand for such houses.


BOROUGH PARK CLUB HOUSE, THIRTEENTH AVENUE AND FIFTIETH STREET, BROOKLYN. BENJ. DRIESLER, ARCHITECT.


At about the same time the first cast-iron building was put up in New York City. The municipal authorities cousented to its erection


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MAIN ENTRANCE, CONSTABLE BUILDING. SCHICKEL & DITMARS, ARCHITECTS.


BUILDING OF JOHN MASSIMINO, WASHINGTON AVENUE AND 172D STREET. W. C. DICKERSON, ARCHITECT.


730


HISTORY OF THE GREATER NEW YORK.


with reluctance, for the alleged reason that in case of fire it would so " burst " as to be dangerous to the firemen. From that time the con- struction of cast and wrought-iron buildings has found an extensive and increasing industry in all parts of our republic.


Sentimental objections were urged to the extensive use of iron in architecture. Among the most earnest and eloquent objectors was


INTERIOR OF CHAPEL, ST. JOSEPH'S SEMINARY. SCHICKEL & DITMARS, ARCHITECTS.


John Ruskin. It was contended that it was not only improper, but sinful, to imitate in one material the forms of another; to put iron in forms that legitimately belong to marble or granite. It was irreverent to use so cheap material in the structure of temples for the worship of the Almighty-" too inexpressive of religious sentiments." The beauty,


731


ENCYCLOPEDIA OF NEW YORK BIOGRAPHY.


elegance, and strength of the "Crystal palaces" of London and New York resisted these objections; and the following new reasons for the use of iron in architecture, put forth by the American Institute, over- bore all sentiment in the public mind :


1. Great facility in embodying any architectural designs; 2. Great economy of wall space; 3. Economy in cost of foundations; 4. Economy in facilitating moving and re-erecting; 5. Security against lightning; 6. Ease of ventilation; 7. Imperviousness of material; 8. Durability of materials; 9. Indestructiblety.


Carpenters and masons form the bulk of operatives employed in building. Carpentry is one of the most important features of the build- er's art, and is one of the most extensively practiced of all our industries. In the tenth census year there were in the United States 9,184 carpentering establishments, with $19,541,358 capital in- vested, and employing 54,138 persons, to whom wages to the amount of $24,582,077 were paid. The product was valued at $94,152,139. In New York City at that time there were 450 establishments, with $1,745,782 capital invested, and employing 3,500 persons, to whom $2,242,030 in wages were paid. The value of the product was $7,096,- 315.


The carpenter should have some knowledge of the principles of engi- neering, for his aim should be to give to the structure which he builds strength and rigidity. The first is necessarily secured by dimensions, and the second by the arrangement of the members of the structure. Joinery, a department of carpentry. embraces the lighter woodwork of interiors of land and water edifices. It requires, on the part of the workman, considerable artistic knowledge and skill.


Masonry is the next most important and extensively practiced de- partment of the builder's art. It embraces the use of both brick and stone. This vocation, like that of the carpenter, has been pursued through all the periods of recorded history, from the building of the great tower on the plains of Shinar. until to-day, and probably long before. It is now one of the most extensive mechanical industries in the world. In the last census year (1880) there were in the United States 1,600 establishments devoted to the business of brick and stone masonry, with $4,000,000 capital invested, and employing 16,000 per- sons, to whom wages were paid to the aggregate amount of $6.880,866. The product was valued at $20,586,553. At the same time there were, in the City of New York, 90 establishments, with $668.650 capital invested, and employing 1,181 persons, to whom wages to the amount of $708,777 were paid. The product was valued at $2,334,659.


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